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The Lost Score of "Basin Street Blues"

Welcome detective! 🕵️ 

An unexpected event has occurred in New Orleans. The last and only score for the song "Basin Street Blues" by Spencer Williams and recorded on 1928 by Louis Armstrong has been stolen. An informant reveals us that the score has been divided into several parts and distributed throughout the city to prevent authorities from recovering it. 

✨ Your mission is to find and recover all the parts of the score of this mythical song visiting the most emblematic corners of the city related to jazz. 🚶 Go out the streets, explore the city, show everything you know about Jazz and recover this score. The city of New Orleans needs you! Go!

Exchange Alley at Canal Street

Psst!, hey! Welcome to this block on Canal street. The hangout spot for non-union white jazz musicians and the site where the Original Dixieland Jazz Band was discovered in 1915. The intersection of Exchange Alley and Canal Street reflects jazz’s early roots in youth culture and community, as well as Canal Street prominence as a commercial corridor. You are the one who is helping the city of New Orleans to recover the lost music of Louis Armstrong, right? I found it around here, but you have to prove me that you are who you say you are. Solve the following riddle and I'll give it to you. Good luck!

Solve this puzzle to get the part of the score hidden in this point of interest

You got a collectible item!

Part 1

Well done!

You got one of the parts of the score. 🤓 Did you know that on December 13, 1915, Chicago café owner Harry James discovered a young ragtime band playing on Canal Street in which the meeting eventually led to the recruitment and formation of the Original Dixieland Jazz Band (ODJB) in Chicago. The ODJB went on to make the first jazz record “Livery Stable Blues” in New York on February 26, 1917. Keep exploring the map and find the rest of the parts of the score. Go!

The Louis Armstrong Park

Hey! Welcome to the Louis Armstrong Park, the place that honors the local jazz legend and features public art works and historic sites related to the earliest development of jazz in New Orleans. I am told that you are looking for the missing parts of the "Basin Street Blues" score. truth? If you want to recover the one found in this mythical location, you will have to show how much you know about Louis Armstrong. Are you ready?

What band did Louis Armstrong play in?

You got a collectible item!

Part 2

You got one of the parts of the score. 🤓 Did you know that New Orleans City developed Louis Armstrong Park in the 1960s and 1970s in an urban renewal project that destroyed a section of the Treme community, considered to be one of the oldest African American neighborhoods in the United States based on the large number of free person of color land owners in the early 1800s. Like the French Quarter, the Treme was largely an Italian and African American community by 1900, and produced the great New Orleans trumpeter/singer Louis Prima, who modeled his style on Louis Armstrong. Keep exploring the map and find the other parts of the score. Go!

Storyville District

🕵️ Welcome to the StoryVille District. A legalized prostitution district associated with the early development of New Orleans-style jazz existed from 1897-1917. Romanticized by early historians as the birth-place of jazz, this red-light district included brothels, bars and dance halls where jazz artists performed and socialized. Standing at the intersection of Basin and Conti Streets and facing just west of St. Louis Cemetery #1, is the former location of the Storyville district in the Tremé neighborhood. From 1897 to 1917 New Orleans established a centralized prostitution district known as Storyville, named after the city alderman Sidney Story who sponsored the creation of the district. Storyville was bound by Iberville, Basin, St. Louis, and North Robertson Streets. 1216 Bienville Street, now a local corner store, is the site of Frank Early’s My Place Saloon, one of only three remaining structures from the Storyville period. Tony Jackson, considered to be one of the great piano professors of the period, worked at Frank Early’s before moving to Chicago in 1912. Solve the following challenge to get the missing part of the score!

Solve this puzzle to continue the tour.

You got a collectible item!

Part 3

You got one of the parts of the score! 🤓 Did you know this original quote from Louis Armstrong? “I also looked forward to every night in the Red Light District, when I was delivering Stone Coal to the girls working in those Cribs. I could hear these wonderful jazz musicians playing music the way it should be played.” - Louis Armstrong Keep exploring the map and find the other parts of the score. Go!

The Tango Belt

Hey! you found this entertainment district in the Upper French Quarter was a center of music and theater performance in the 1920s for both black and white patrons. A mix of bars, cabarets, nightclubs, vaudeville houses, saloons, dance halls and theaters—of which the Lyric Theatre was one, the Tango Belt was the densest collection of jazz clubs in the city during its prime in the 1920s. Some of the most popular jazz clubs in the 1920s included the Fern Dance Hall and Pup Cafe (1000 block of Iberville), the Dog House (Bienville at Rampart), the Orchard (900 block of Conti), and the Cadillac Club (300 block of N. Rampart). Many of these clubs hosted jitney dances, in which patrons paid to dance with women, and which also provided jobs for musicians. Solve the following challenge to get the lost plan of the score.

What country does Tango originate from?

You got a collectible item!

Part 4

You got one of the parts of the score. 🤓 Did you know that After the closing of Storyville in 1917, the Tango Belt inherited much of the prostitution trade. Norma Wallace, known as the “Last Madame,” operated her brothel at 1026 Conti from the 1920s through the 1960s, and it was considered one of the last hold-overs of that trade from the 1920s. Keep exploring the map and find the other parts of the score. Go!

The Lyric Theatre

New Orleans’ largest African American vaudeville theater in the 1920s hosted many jazz, blues and vaudeville stars, and featured the John Robichaux Orchestra. Formerly located at the downtown-lake corner of Burgundy and Iberville streets in the French Quarter, the Lyric Theater was touted as “America’s Largest and Finest Colored Theater.” The playhouse catered to great musicians and featured the orchestra of locally prominent violinist and bandleader Professor John Robichaux. The orchestra was adept at performing both hot jazz and more formal orchestral music. Pianist Margaret Maurice, drummer Zutty Singleton, clarinetist Alphonse Picou, and cornetist Andrew Kimball all performed in the orchestra. Checkin to this location to get the part of the score that you are looking for.

Solve this challenge to continue the tour.

You got a collectible item!

Part 5

You got one of the parts of the score. 🤓 Did you know... Louis Armstrong also remembered the Lyric with fondness: "I went to the Lyric Theater quite often. Located downtown on Iberville and Burgundy streets. Robichaux Orchestra was always the best. They all read music. John Robichaux. They used to play for the stage shows. Andrew Kimball was the cornetist in the band (my choice)."

Preservation Hall

Preservation Hall is a French Quarter concert hall with nightly performances by esteemed local jazz musicians supported by artists, musicians, and civil rights activists in 1962. Established in 1962 by young Philadelphia natives Alan and Sandra Jaffe, the space provided a safe place for older jazz musicians to perform in New Orleans at a time when state laws prohibited inter-racial performances. After the Civil Rights Act of 1964, Preservation Hall became widely known as a family-friendly concert hall in which New Orleans-style jazz is performed nightly. Through recordings, tours, and film the Preservation Hall band gained international recognition, and continues to present New Orleans music traditions to the world today. Explore the place and solve the following challenge...

What instrument refers the main sign at the entrance of the Preservation Hall?

You got a collectible item!

Part 6

You got one of the parts of the score. 🤓 Did you know that Still family run for over 50 years, Preservation Hall hosts performances 350 nights a year, and includes educational programs aimed at preserving the legacy of Jazz in New Orleans. Keep exploring the map and find the other parts of the score. Go!

Danny Barker’s Birthplace

Pst! You found the Danny Barker’s Birthplace. What an idol! Danny Barker was a musician, educator, author and storyteller born in 1909 in the rear building at 1027 Chartres Street. At the time of Barker’s birth, the lower French Quarter community was home to a large African American and Sicilian population. Known as the “Banjo King of New Orleans” in the 1920s, Barker toured with local bands along the Gulf Coast. Seeking new opportunities, Barker moved to New York in the 1930s, where he worked with Cab Calloway, Charlie Parker, and other legends. Moving back to New Orleans in the 1960s, Barker sparked a local brass band revival when he established the Fairview Baptist Brass Band to mentor a new generation of young men in New Orleans’ distinct brass band traditions. Solve the following challenge to get the score part hidden.

Find the marker on Danny Barker's birthplace facade and answer the following question: How many records of jazz, swing and blues were played by him?

You got a collectible item!

Part 7

You got one of the parts of the score. 🤓 Did you know that Local musicians Leroy Jones, Greg Stafford, Michael White, and many others played in the Fairview, and the Dirty Dozen Brass Band evolved from former members in the 1970s. Keep exploring the map and find the other parts of the score. Go!

The Eagle Saloon

Hey! Do you know that you found of the most significant early jazz landmarks still remaining in New Orleans. 🔉 Tap play to listen "Dixieland" from Buddy Bolden. The Eagle Saloon is one of the most significant early jazz landmarks still remaining in New Orleans. 401 South Rampart, site of the Eagle Saloon, anchors this historic block in theonce diverse neighborhood of African Americans, Jewish and Chinese immigrants that is closely associated with Louis Armstrong’s youth and musical upbringing. Louis Armstrong grew up here near Perdido Street in the “Back of Town” neighborhood with businesses stretched along South Rampart Street. Check in to get the part of the score missing

Solve this challenge to continue the tour.

You got a collectible item!

Part 8

Did you know... On New Year’s Eve, 1913, an adolescent Louis Armstrong was arrested for shooting a pistol into the air at the corner of Perdido and Rampart streets here in front of the Eagle Saloon. His sentencing required him to attend 18 months at the Colored Waif’s Home near City Park, where the structured environment provided his first formal musical training on bugle and cornet, and performance opportunities in parades. Keep exploring the map and find the other parts of the score. Go!

The Iroquois Theater

Hey! Are you the detective? I am here, at the Iroquois Theater, the red brick building next door to The Eagle Saloon. The building is listed on the National Register of Historic Places and was an African American vaudeville and movie theater operated from 1911-1920. One of the first theaters to feature jazz in a concert setting, it was eventually eclipsed by the larger Lyric Theater that opened in 1920. In the era of Jim Crow, new, independent theater houses dedicated to African American performers and audiences opened throughout the South. The “Back of Town” neighborhood in the 400 block of South Rampart was a hub of African American entertainment and socializing in New Orleans. Do you want to get the lost part of the score, solve the following challenge.

Solve this puzzle of the Piron & Williams Orchestra to continue the tour.

You got a collectible item!

Part 9

You got one of the parts of the score. 🤓 Did you know that a young Louis Armstrong famously won a talent contest here in which he dipped his face in flour to perform in white face, a reverse of the more common minstrel show practice of performing in black face. He lived only two blocks away on Perdido Street, where Duncan Plaza and City Hall are today. He recalled: “Some nights we would see a moving picture at the Iroquois Theater – 10 cents each for May Ann and Tom, five cents for Mama Lucy and me.” Keep exploring the map and find the other parts of the score. Go!

Well done detective!

The city of New Orleans is eternally grateful to you for the effort to recover the original score of the mythical song "Basin Street Blues". You can see it in your inventory. We hope you had a good time with us and we hope that you will be encouraged to do other tours with us. Long live the Jazz! 🎼

Inventory

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Item 5
Item 6
Item 7
Item 8
Item 9

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